#Editready for pc pro#
#Editready for pc professional#
#Editready for pc windows#

CUDA acceleration is also supported providing a capable graphics card.

When downscaling 4K 4:2:0 to HD or SD in 8/10-bit, the produced videos get crisp luma and real 4:2:2 or 4:4:4 chroma.ДЇootageStudio 4K offers also colour correction options and also can act as a denoiser, as well as the ability to over crank your footage to give impressively smooth slow-motion from standard footage, as well as the option to add motion blur and noise reduction.

Different video formats can be mixed for processing, for instance, you can import several videos in different formats like 720p60, 1080i60, 4Kp30, 480i30 or 1080p25.

Import any video standard/format, in SD/HD/4K, NTSC or PAL, any resolution, any aspect ratio, any frame rate, interlaced or progressive, and then just select any output video standard in SD/HD/4K.

#Editready for pc pro#

Supports common formats and containers like AVI,MOV,MP4,MKV,etc, pro formats like DNxHD and ProRes*, image sequences, and video cameras formats from consumer to prosumer/pro models, including HDV, AVCHD, newest HDSLRs from Canon, Panasonic or Sony, GoPro cameras, and XDCam HD/EX, MXF, AVC-Intra and DVCProHD.

#Editready for pc windows#

Cinemartin offer Windows encoding for ProRes as well as a Standalone Video denoiser, and just recently a small company from Panama City called Acrovid вЂ“ released FootageStudio 4K вЂ“ a standalone video encoder for Windows, which offers quick and easy transcoding/encoding of your footage into ProRes and other formats such as DNxHD and Motion JPEG. But then if you were a Windows user, then you didnвЂ™t have many options. Then the BMCCВ and BMPC 4K came along and you could have an in-camera and post-workflow in the same codec вЂ“ an end-to-end ProRes workflow.

#Editready for pc professional#

Up until the introduction of the Blackmagic Cinema Camera, ProRes was not readily available in lower priced, but still professional camera as an acquisition codec, and you had to go up the ladder and bump up your budget for an Alexa or record externally on the AJA Ki Pro for example.Дifferent flavours of Apple ProRes are a common choice among Red and Alexa productions, as the Raw footage is often transcoded into ProRes 422/LT or even proxies for quicker editing. It is often the codec of choice for most editors for both broadcast applications, with many post-houses heavily invested in a Mac-centric workflow.

Editors and video professionals working on Macs have long benefited from an industry-proven and solid ProRes workflow.